Thursday, February 28, 2019

Thoreau/Twain: Brothers on the River

For the first evening of this 2019 Edition of the Annual Gathering of Thoreauvian Appreciators my play, THOREAU/TWAIN: Brothers of The River will be performed.

I am immensely proud to be presenting my work to such an excellent group of scholars, enthusiasts, teachers, environmentalists, historians, professors-AND this year's focus will be encouraging the ENGINEERS to come out in full force.

Therefore, not ONLY am I excited to be able to do research on both Thoreau and Twain, but also to focus on the parts of their lives which reflect their interest in innovation, technology and how things get put together.

Hint: This will involve HDT's work on developing a new formula for a graphite pencil, AND Twain's enthusiasm for a printing machine known as the Paige Compositor. Which will survive the ultimate test of engineering?


Thursday, January 31, 2019

Network is the Bway Play Worth Watching

Of all the big plays of the moment, no play does a better homage to the spirit of the tale than Network-currently starring Bryan Cranston.  It’s a perfect American story-created in England.
The surrounding immersive media is just the beginning.  The line “I’m Mad as Hell” is presented perfectly the first time, and then highlighted as a regular battle cry-you wonder if this is made from a movie from the 1970’s (it was) or if it was written tomorrow.
It takes too much of the insanity of the media-centric world to too many logical conclusions. It plays with your mind over and over, as if media is just an extended magic trick-constantly diverting your attention. For this play, it’s worth it to pay attention.

Monday, December 31, 2018

Pour Myself a Cup of Ambition

The whole idea of having a desk job had seemed the opposite of who she thought she was.

She looked around at all the others, wondering if they saw her playing her role, watching them watching her-to see if there were any cracks in the facade.

The notion of imposter syndrome was strong in her, except it was true.  She was the real imposter. 

The longer she stayed there, and talked to the others on the career ladder, in the cubicles, in the lunchroom and the hallways. She wasn't sure about her uniqueness anymore. Nobody else wanted to be there either.  Everyone else had a dream as well.

But she had lived hers.  She had been on the stage, she had been singing.  She had lived inside the music in a way that she couldn't find life anywhere else.

She wasn't sure that she was ever going to focus on getting a promotion, but she knew she was disappointed when she didn't get them.  The coffee wasn't her driving force, but it helped the mornings pass and it made her happy.

On the weekends, when she didn't drink it, she might spend the morning crying, which ruined her voice for singing for the rest of the day.  So she made sure to remember her ambition on the weekends, ambition not to become CEO of her company-but to SING.  Not even onstage again, but just to carry the music in her throat. In her mouth, it felt better than being kissed.  It felt like being loved.

Wednesday, October 31, 2018

Elyse, Ntozake, Maria

Three Giant Women of theater have passed away in the space of just a few days.

An influential director.

A playwright of African American women and expanded territories, opening her arms to inclusion of multiple communities. (For Black Girls who have Considered Suicide when the Rainbow is Enuf, a Choreopoem)

A playwright of Hispanic women, opening the theater walls to audiences to Fefu and her Friends.  Staging was nontraditional, taking people beyond a stage to different areas -seeing scenes in various order.

The world is better for them all.



Ntozake Shange at the Dodge Poetry Festival, Sunday, October 21, 2018

Sunday, September 30, 2018

Cheating on Thoreau with Twain

This weekend, there is a Writer's Conference in Hartford, CT at the Mark Twain House and Museum.  2 days of authors, talks, workshops, discussions and just plain "trouble starting" (apparently in the Twain world, that's a regular in-joke)

https://marktwainhouse.org/event/writers-weekend/

I've already THOREAU-LY enjoyed one day of it (half) and am making note of a few things so far:

A) The sessions are wonderful, but the weekend seems especially small-like the size of a decent first-year attempt, but I believe this is not their first rodeo.  Personally, I LOVE that it is so small, bc I feel that I can get to know each participant, and there are not too many overlapping sessions. However, I'd rather make contact with MORE people and attend as many sessions as possible-noting the possibility of sneaking out of a dull one and into something better (the grass is always greener on the other side of the classroom wall-especially when you can hear them laughing!)

B) The vast majority of the attendees/presenters are female and 50+. SO much so, that I would encourage the organizers to rethink their focus for next year.  It's not a matter of Mark Twain representation-he only registers as a host in the mental conversation.

C) There were a few (2?) young African American women-but no corresponding African American women presenting.  Hartford has a decent population of African Americans and none/very few(?) were in representation within the sold-out Twain house tours.  Personally, I would LOVE to be taught by people coming from different experiences and especially the locals.

D) The Harriet Beecher Stowe house is right next door, but my friends and I had to wander over ourselves and take a tour during lunch (We had given up our lunch hour on the first day to tour the Twain house)